The Perfect Gothic Drama to Sink Your Teeth Into This Fall
By Elysian Alder | Editor-in-Chief
AMC’s “Interview with the Vampire” is a sumptuous reimagining of Anne Rice’s timeless gothic novel by the same name. Laced with humor, irony, and creeping tension, complete with the representation of the inherent eroticism that any vampire narrative should have, “Interview with the Vampire” is many things, but perhaps most of all, it is a visceral exploration of immortality’s existential complexities. Directed by Rolin Jones, this series—originally released on AMC and its streaming platform in 2022—is currently available on Max until October 31, and it’s a perfect addition to any autumn watchlist.
The series introduces us first to journalist Daniel Molloy, played by Eric Bogosian (“Law and Order: Criminal Intent,” “Succession”). The opening scene—a commercial for what appears to be a journalism Masterclass—might catch some viewers off guard, perhaps feeling more like an unexpected ad from the streaming service, playing before the actual episode starts. But that’s not the case, and as the camera pans out, Daniel Molloy sits on his couch, watching the commercial for his own class with a deadened expression. The decision to depict Molloy as a disillusioned and weary septuagenarian instead of a fresh-faced, excitable youth is only the first curious departure from the source material of Anne Rice’s novel, but it’s one that serves to strengthen the rest of the narrative tremendously. Shortly after Molloy’s introduction, it’s revealed that the titular “Interview” actually took place decades prior, in the 1970s, and the subject—the vampire—wants a redo.
Opposite Bogosian, the series stars Jacob Anderson (“Game of Thrones”) as Louis de Pointe du Lac, Molloy’s vampiric interview subject; Sam Reid (“Belle,” “The Riot Club”) as Lestat de Lioncourt, Louis’s “murderer, mentor, lover, and maker”; and Bailey Bass (“Avatar: The Way of the Water”) as Claudia, their shrewd adoptive daughter, turned into a vampire at a young age, forever trapped in the body of a teenager. Every scene between this spectacularly chosen cast is electric, their chemistry undeniable. Even at their campiest—which, yes, this gothic series has plenty of cheesy moments—the performances are a tour-de-force.
In another departure from the source material, the series sees Louis as a Black businessman in 1910s New Orleans instead of a plantation owner, a controversial change that adds layers of depth to his character. Anderson depicts all of the nuances of Louis’ character and his journey—from his tumultuous role in the society of the time to his initial transformation into a vampire to the toxic and passionate relationship that ensues with Lestat—with a magnetic blend of vulnerability and ferocity.
For those familiar with Neil Jordan’s 1994 film adaptation of the same novel, there might be a genuine worry that the series could fall into the same trap of “not being gay enough”—a complaint that many viewers had for the film. Rolin Jones’ “Interview with the Vampire,” however, pulls no punches with its representation. And how could it? There’s no holding back in this regard, especially after witnessing Sam Reid’s portrayal of Lestat. From the moment Reid graces the screen, Lestat is deliciously and unabashedly queer. Beyond that, his presence is captivating, effortlessly exuding the charm and terror that define Lestat’s character.
The series seamlessly shifts between time periods, with Molloy’s contemporary interview with Louis serving as a portal to the early 20th century, where Louis delves into his experiences with Lestat and eventually Claudia. The dynamic between Louis and Lestat is an endless dance of lethal desire, power, and vulnerability, and as Louis recounts their complex relationship to Molloy, the world-weary journalist doesn’t shy away from digging into every detail and challenging the veracity of events. This unwavering pursuit of truth, however discomforting it might be for Louis, or how perilous for Molloy, a mere human, adds a gripping layer of tension to their interactions. Molloy’s role in the narrative invites the audience to question the unfolding events and, by extension, Louis’ reliability as the narrator.
“Interview with the Vampire” is a series that demands attention, offering a fresh perspective on a classic tale that’s as timeless as it is captivating. With its remarkable cast, daring departures from the source material, and unapologetic queerness, it breathes new life into the vampire genre.
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